Unbeaten Tracks in Japan by Isabella L. (Isabella Lucy) Bird
page 152 of 383 (39%)
page 152 of 383 (39%)
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Throughout the province of Echigo I have occasionally seen a piece of cotton cloth suspended by its four corners from four bamboo poles just above a quiet stream. Behind it there is usually a long narrow tablet, notched at the top, similar to those seen in cemeteries, with characters upon it. Sometimes bouquets of flowers are placed in the hollow top of each bamboo, and usually there are characters on the cloth itself. Within it always lies a wooden dipper. In coming down from Tenoko I passed one of these close to the road, and a Buddhist priest was at the time pouring a dipper full of water into it, which strained slowly through. As he was going our way we joined him, and he explained its meaning. According to him the tablet bears on it the kaimiyo, or posthumous name of a woman. The flowers have the same significance as those which loving hands place on the graves of kindred. If there are characters on the cloth, they represent the well-known invocation of the Nichiren sect, Namu mio ho ren ge kio. The pouring of the water into the cloth, often accompanied by telling the beads on a rosary, is a prayer. The whole is called "The Flowing Invocation." I have seldom seen anything more plaintively affecting, for it denotes that a mother in the first joy of maternity has passed away to suffer (according to popular belief) in the Lake of Blood, one of the Buddhist hells, for a sin committed in a former state of being, and it appeals to every passer-by to shorten the penalties of a woman in anguish, for in that lake she must remain until the cloth is so utterly worn out that the water falls through it at once. Where the mountains come down upon the plain of Yonezawa there are |
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