good? Well, give it to Smith to rewrite."

An artist came from the other room and presented for
inspection his drawing of the seamen dead in the rigging of the
wreck, a company of grizzly and horrible figures, bony-fingered,
shrunken and with awful eyes. " Hum," said Coleman, after a
prolonged study, " that's all right. That's good, Jimmie. But
you'd better work 'em up around the eyes a little more." The
office boy was deploying in the distance, waiting for the
correct moment to present some cards and names.

The artist was cheerfully taking away his corpses when
Coleman hailed him. " Oh, Jim, let me see that thing again, will
you? Now, how about this spar? This don't look right to me."

" It looks right to me," replied the artist, sulkily.

" But, see. It's going to take up half a page. Can't you
change it somehow "

How am I going to change it?" said the other, glowering at
Coleman. " That's the way it ought to be. How am I going to
change it? That's the way it ought to be."

" No, it isn't at all," said Coleman. "You've got a spar
sticking out of the main body of the drawing in a way that will
spoil the look of the whole page."

The artist was a man of remarkable popular reputation and
he was very stubborn and conceited of it, constantly making