Chaucer at this period possessed also other qualities fitted to
recommend him to favour in a Court like that of Edward III.
Urry describes him, on the authority of a portrait, as being then
"of a fair beautiful complexion, his lips red and full, his size of a
just medium, and his port and air graceful and majestic. So,"
continues the ardent biographer, -- "so that every ornament that
could claim the approbation of the great and fair, his abilities to
record the valour of the one, and celebrate the beauty of the
other, and his wit and gentle behaviour to converse with both,
conspired to make him a complete courtier." If we believe that
his "Court of Love" had received such publicity as the literary
media of the time allowed in the somewhat narrow and select
literary world -- not to speak of "Troilus and Cressida," which,
as Lydgate mentions it first among Chaucer's works, some have
supposed to be a youthful production -- we find a third and not
less powerful recommendation to the favour of the great co-
operating with his learning and his gallant bearing. Elsewhere
<2> reasons have been shown for doubt whether "Troilus and
Cressida" should not be assigned to a later period of Chaucer's
life; but very little is positively known about the dates and
sequence of his various works. In the year 1386, being called as
witness with regard to a contest on a point of heraldry between
Lord Scrope and Sir Robert Grosvenor, Chaucer deposed that
he entered on his military career in 1359. In that year Edward
III invaded France, for the third time, in pursuit of his claim to
the French crown; and we may fancy that, in describing the
embarkation of the knights in "Chaucer's Dream", the poet
gained some of the vividness and stir of his picture from his
recollections of the embarkation of the splendid and well-