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The Renaissance - Studies in Art and Poetry by Walter Pater
page 30 of 179 (16%)
Olympus. Unfortunate Gods! They had then to take flight ignominiously,
and hide themselves among us here on earth, under all sorts of
disguises. The larger number betook themselves to Egypt, where for
greater security they assumed the forms of animals, as is generally
known. Just in the same way, they had to take flight again, and seek
entertainment in remote hiding-places, when those iconoclastic zealots,
the black brood of monks, broke down all the temples, and pursued the
gods with fire and curses. Many of these unfortunate emigrants, now
entirely deprived of shelter and ambrosia, must needs take to vulgar
handicrafts, as a means of earning their bread. Under these
circumstances, many whose sacred groves had been confiscated, let
themselves out for hire as wood-cutters in Germany, and were forced to
drink beer instead of nectar. Apollo seems to have been content to take
service under graziers, and as he had once kept the cows of Admetus, so
he lived now as a shepherd in Lower Austria. Here, however, having
become suspected on account of his beautiful singing, he was recognised
by a learned monk as one of the old pagan gods, and handed over to the
spiritual tribunal. On the rack he confessed that he was the god Apollo;
and before his execution he begged that he might be suffered to play
once more upon the lyre, and to sing a song. And he played so
touchingly, and sang with such magic, and was withal so beautiful in
form and feature, that all the women wept, and many of them were so
deeply impressed that they shortly afterwards fell sick. And some time
afterwards the people wished to drag him from the grave again, so that a
stake might be driven through his body, in the belief that he had been a
vampire, and that the sick women would by this means recover. But they
found the grave empty."

The Renaissance of the fifteenth century was, in many things, great
rather by what it designed than by what it achieved. Much which it
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