Daphne, an autumn pastoral by Margaret Pollock Sherwood
page 61 of 104 (58%)
page 61 of 104 (58%)
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gray fragment of stone marked garden and forum. Here was a bit
of wall, with a touch of gay painting mouldering on an inner surface,--Venus, in robe of red, rising from a daintily suggested sea in lines of green. They gathered fragments of old mosaic floor in their hands, blue lapis lazuli, yellow bits of giallo antico, red porphyry, trodden by gay feet and sad, unnumbered years ago. They found broken pieces of iridescent glass that had fallen, perhaps, from shattered wine cups of the emperors, and all these treasures Bertuccio stored away in his wide pockets. Again, they climbed gracious heights and looked down over slopes and valleys, where deep grass grew over rich, crumbling earth, deposit of dead volcanoes, or saw, circled by soft green hills, some mountain lake, reflecting the perfect blue of Italian sky. Bertuccio usually walked behind; Daphne rode on ahead, with the sun burning her cheeks, and the air, fragrant with the odor of late ripening grapes on the upper hillsides, bringing intoxication. She seemed to herself so much a thing of falling rain, rich earth, and wakening sunshines that she would not have been surprised to find the purple bloom of those same grapes gathering on her cheeks, or her soft wisps of hair curling into tendrils, or spreading into green vine leaves. They usually came home in the splendor of sunset, tired, happy, the red of Daphne's felt hat, the gorgeousness of Bertuccio's blue trousers and yellow waistcoat lighting the gloom of the cool, green-shaded ways. Hermes always ran frisking to meet them, outstripping by his swiftness the slow plodding of the little ass. Perhaps the lambkin felt the shadow of a certain neglect through these long absences, but at least he was generous and loved his rival. Quitting the kitchen and dining-room, he chose for his portion |
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