Daphne, an autumn pastoral by Margaret Pollock Sherwood
page 64 of 104 (61%)
page 64 of 104 (61%)
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Bertuccio sprawled on his stomach on the grassy floor of the presence chamber in a palace of the Caesars', kicking with one idle foot a bit of stone that had once formed the classic nose of a god. San Pietro Martire was quietly grazing in the long spaces of the Philosophers' Hall, nibbling deftly green blades of grass that grew at the bases of the broken pillars. Near by lay the old amphitheatre, with its roof of blue sky, and its rows of grassy seats, circling a level stage and pit, and rising, one above another, in irregular outlines of green. Here, in the spot on which the central royal seat had once been erected, sat Daphne on her Scotch plaid steamer blanket: her head was leaning back against the turf, her lips were slightly parted, her eyes half closed. She thought that she was meditating on the life that had gone on in this Imperial villa two thousand years ago: its banquets, its philosophers' disputes, its tragedies and comedies played here with tears and laughter. In reality she was half asleep. They were only a half mile from home, measuring by a straight line through the intervening hill; in time they were two hours away. San Pietro had climbed gallantly, with little silvery bells tinkling at his ears, to the summit of the mountain, and had descended, with conviction and with accuracy, planting firm little hard hoofs in the slippery path where the dark soil bore a coating of green grass and moss. For all their hard morning's work they were still on the confines of the Villa Gianelli, whose kingdom was partly a kingdom of air and of mountain. Drowsing there in the old theatre in the sun, Daphne presently |
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