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Urban Sketches by Bret Harte
page 44 of 64 (68%)
about Tamalpais, were enough to distract the attention. Reading or
writing, the bay-window was always showing something to be looked at.
Unfortunately, these views were not always pleasant, but the window gave
equal prominence and importance to all, without respect to quality.

The landscape in the vicinity was unimproved, but not rural. The
adjacent lots had apparently just given up bearing scrub-oaks, but had
not seriously taken to bricks and mortar. In one direction the vista was
closed by the Home of the Inebriates, not in itself a cheerful-looking
building, and, as the apparent terminus of a ramble in a certain
direction, having all the effect of a moral lesson. To a certain extent,
however, this building was an imposition. The enthusiastic members of
my family, who confidently expected to see its inmates hilariously
disporting themselves at its windows in the different stages of
inebriation portrayed by the late W. E. Burton, were much disappointed.
The Home was reticent of its secrets. The County Hospital, also in range
of the bay-window, showed much more animation. At certain hours of the
day convalescents passed in review before the window on their way to
an airing. This spectacle was the still more depressing from a singular
lack of sociability that appeared to prevail among them. Each man
was encompassed by the impenetrable atmosphere of his own peculiar
suffering. They did not talk or walk together. From the window I have
seen half a dozen sunning themselves against a wall within a few feet
of each other, to all appearance utterly oblivious of the fact. Had they
but quarrelled or fought,--anything would have been better than this
horrible apathy.

The lower end of the street on which the bay-window was situate, opened
invitingly from a popular thoroughfare; and after beckoning the unwary
stranger into its recesses, ended unexpectedly at a frightful precipice.
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