Urban Sketches by Bret Harte
page 44 of 64 (68%)
page 44 of 64 (68%)
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about Tamalpais, were enough to distract the attention. Reading or
writing, the bay-window was always showing something to be looked at. Unfortunately, these views were not always pleasant, but the window gave equal prominence and importance to all, without respect to quality. The landscape in the vicinity was unimproved, but not rural. The adjacent lots had apparently just given up bearing scrub-oaks, but had not seriously taken to bricks and mortar. In one direction the vista was closed by the Home of the Inebriates, not in itself a cheerful-looking building, and, as the apparent terminus of a ramble in a certain direction, having all the effect of a moral lesson. To a certain extent, however, this building was an imposition. The enthusiastic members of my family, who confidently expected to see its inmates hilariously disporting themselves at its windows in the different stages of inebriation portrayed by the late W. E. Burton, were much disappointed. The Home was reticent of its secrets. The County Hospital, also in range of the bay-window, showed much more animation. At certain hours of the day convalescents passed in review before the window on their way to an airing. This spectacle was the still more depressing from a singular lack of sociability that appeared to prevail among them. Each man was encompassed by the impenetrable atmosphere of his own peculiar suffering. They did not talk or walk together. From the window I have seen half a dozen sunning themselves against a wall within a few feet of each other, to all appearance utterly oblivious of the fact. Had they but quarrelled or fought,--anything would have been better than this horrible apathy. The lower end of the street on which the bay-window was situate, opened invitingly from a popular thoroughfare; and after beckoning the unwary stranger into its recesses, ended unexpectedly at a frightful precipice. |
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