and, drawing from the pocket of his shooting coat his little
tree-calf edition of the Odyssey, read far into the twenty-first
book, where, after the failure of all the suitors to bend
Ulysses's bow, it is finally put, with mockery, into his own
hands. Abruptly the drama of the story roused him from all his
languor. In an instant he was the poet again, his nerves
tingling, alive to every sensation, responsive to every
impression. The desire of creation, of composition, grew big
within him. Hexameters of his own clamoured, tumultuous, in his
brain. Not for a long time had he "felt his poem," as he called
this sensation, so poignantly. For an instant he told himself
that he actually held it.

It was, no doubt, Vanamee's talk that had stimulated him to this
point. The story of the Long Trail, with its desert and
mountain, its cliff-dwellers, its Aztec ruins, its colour,
movement, and romance, filled his mind with picture after
picture. The epic defiled before his vision like a pageant.
Once more, he shot a glance about him, as if in search of the
inspiration, and this time he all but found it. He rose to his
feet, looking out and off below him.

As from a pinnacle, Presley, from where he now stood, dominated
the entire country. The sun had begun to set, everything in the
range of his vision was overlaid with a sheen of gold.

First, close at hand, it was the Seed ranch, carpeting the little
hollow behind the Mission with a spread of greens, some dark,
some vivid, some pale almost to yellowness. Beyond that was the
Mission itself, its venerable campanile, in whose arches hung the