workmanship. The rich man brought his merchandise, the poor his
industry: the one was sure of finding workmen, the other was sure of
finding work.

Art also was by no means behindhand: Dante, Giotto, Brunelleschi, and
Donatello were dead, but Ariosto, Raphael, Bramante, and Michael Angelo
were now living. Rome, Florence, and Naples had inherited the
masterpieces of antiquity; and the manuscripts of AEschylus, Sophocles,
and Euripides had come (thanks to the conquest of Mahomet II) to rejoin
the statue of Xanthippus and the works of Phidias and Praxiteles. The
principal sovereigns of Italy had come to understand, when they let their
eyes dwell upon the fat harvests, the wealthy villages, the flourishing
manufactories, and the marvellous churches, and then compared with them
the poor and rude nations of fighting men who surrounded them on all
sides, that some day or other they were destined to become for other
countries what America was for Spain, a vast gold-mine for them to work.
In consequence of this, a league offensive and defensive had been signed,
about 1480, by Naples, Milan, Florence, and Ferrara, prepared to take a
stand against enemies within or without, in Italy or outside. Ludovico
Sforza, who was more than anyone else interested in maintaining this
league, because he was nearest to France, whence the storm seemed to
threaten, saw in the new pope's election means not only of strengthening
the league, but of making its power and unity conspicuous in the sight of
Europe.




CHAPTER IV