_personal character_--those special people and not others. The insight
and appreciation shown in the frontispiece alone makes as fine an
instance of what illustration ought to be as need be given.

Those light sketches to the airy G. G. Letters are good, too--anything
more definite would not belong to that couple.

But Mr. Cyrus Cuneo shows small grasp of what Mr. Locke was writing
about in his "Moonlight Effect." The tailpiece, by somebody else, is
the best picture of the lot.

Mr. Leone Brackner does better in Jack London's story, though falling
far short of the extreme loathsomeness Mr. London heaps so thickly. J.
Scott Williams follows "Margherita's Soul" with a running accompaniment
and variations, in pleasant accord with the spirit of that compelling
tale. He gives more than the scene represented, gives it differently,
and yet gives it.

Mr. McCutcheon and George Fitch are also harmonious in clever fooling of
pen and pencil, and Thomas Fogarty, though by no means convincing, goes
well enough with Mr. O'Higgins' story, which is not convincing, either.
The hat and dress pictures are photographs, and do artificial justice to
their artificial subjects in Mrs. Woodrow's arraignment of the Fantastic
Feminine.

But--. Go to your library after, or send your ten cents for, or look up
on your own shelves, that August number, and turn to Lincoln Colcord's
story of "Anjer," to see what an illustrator dare do. Here's a story,
the merits of which need not be discussed, but in which great stress is
laid on a certain Malay Princess, the free nobility of whose savage love