wind that De Quincey heard at noonday in midsummer blowing through
the room where he stood, a mere boy, by the side of his dead sister,
--a wind centuries old. As I wrote on mechanically, I became conscious
of a presence in the room, though I did not lift my eyes from the
paper on which I wrote. Gradually I came to know that my
grandmother--dead so long ago that I laughed at the idea--was in the
room. She stood beside her old-fashioned spinning-wheel, and quite
near me. She wore a plain muslin cap with a high puff in the crown,
a short woolen gown, a white and blue checked apron, and shoes with
heels. She did not regard me, but stood facing the wheel, with the
left hand near the spindle, holding lightly between the thumb and
forefinger the white roll of wool which was being spun and twisted on
it. In her right hand she held a small stick. I heard the sharp
click of this against the spokes of the wheel, then the hum of the
wheel, the buzz of the spindles as the twisting yarn was teased by
the whirl of its point, then a step backwards, a pause, a step
forward and the running of the yarn upon the spindle, and again a
backward step, the drawing out of the roll and the droning and hum of
the wheel, most mournfully hopeless sound that ever fell on mortal
ear. Since childhood it has haunted me. All this time I wrote, and
I could hear distinctly the scratching of the pen upon the paper.
But she stood behind me (why I did not turn my head I never knew),
pacing backward and forward by the spinning-wheel, just as I had a
hundred times seen her in childhood in the old kitchen on drowsy
summer afternoons. And I heard the step, the buzz and whirl of the
spindle, and the monotonous and dreary hum of the mournful wheel.
Whether her face was ashy pale and looked as if it might crumble at
the touch, and the border of her white cap trembled in the June wind
that blew, I cannot say, for I tell you I did NOT see her. But I
know she was there, spinning yarn that had been knit into hose years