Here and there at random on the floor lie iron chains, spiked collars,
saw-toothed snaffles, muzzles bristling with nails, and long iron rods
set in wooden handles. In one corner stands a portable furnace, such as
tinkers use to melt their spelter; charcoal and dry chips fill it, so
that a spark would suffice to kindle this furnace in a minute.

Not far from this collection of ugly instruments, putting one in mind of
a torturer's kit of tools, there are some articles of defence and offence
of a bygone age. A coat of mail, with links so flexible, close, and
light, that it resembles steel tissue, hangs from a box beside iron
cuishes and arm-pieces, in good condition, even to being properly fitted
with straps. A mace, and two long three-cornered-headed pikes, with ash
handles, strong, and light at the same time; spotted with lately-shed
blood, complete the armory, modernized somewhat by the presence of two
Tyrolese rifles, loaded and primed.

Along with this arsenal of murderous weapons and out-of-date instruments,
is strangely mingled a collection of very different objects, being small
glass-lidded boxes, full of rosaries, chaplets, medals, AGNUS DEI, holy
water bottles, framed pictures of saints, etc., not to forget a goodly
number of those chapbooks, struck off in Friburg on coarse bluish paper,
in which you can hear about miracles of our own time, or "Jesus Christ's
Letter to a true believer," containing awful predictions, as for the
years 1831 and '32, about impious revolutionary France.

One of those canvas daubs, with which strolling showmen adorn their
booths, hangs from a rafter, no doubt to prevent its being spoilt by too
long rolling up. It bore the following legend: