The Hand of Ethelberta by Thomas Hardy
page 294 of 534 (55%)
page 294 of 534 (55%)
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to provide for a stranger has passed off with no worse mishap than
disappointing him. A cottage which stood on a high slope above this townlet and its bay resounded one morning with the notes of a merry company. Ethelberta had managed to find room for herself and her young relations in the house of one of the boatmen, whose wife attended upon them all. Captain Flower, the husband, assisted her in the dinner preparations, when he slipped about the house as lightly as a girl and spoke of himself as cook's mate. The house was so small that the sailor's rich voice, developed by shouting in high winds during a twenty years' experience in the coasting trade, could be heard coming from the kitchen between the chirpings of the children in the parlour. The furniture of this apartment consisted mostly of the painting of a full-rigged ship, done by a man whom the captain had specially selected for the purpose because he had been seven- and-twenty years at sea before touching a brush, and thereby offered a sufficient guarantee that he understood how to paint a vessel properly. Before this picture sat Ethelberta in a light linen dress, and with tightly-knotted hair--now again Berta Chickerel as of old--serving out breakfast to the rest of the party, and sometimes lifting her eyes to the outlook from the window, which presented a happy combination of grange scenery with marine. Upon the irregular slope between the house and the quay was an orchard of aged trees wherein every apple ripening on the boughs presented its rubicund side towards the cottage, because that building chanced to lie upwards in the same direction as the sun. Under the trees were a few Cape sheep, and over them the stone chimneys of the village below: outside these lay the tanned sails of a ketch or smack, and the violet waters of the bay, seamed and creased by breezes insufficient to raise waves; beyond all a curved wall of cliff, |
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