of words and figures wherewith to express himself, and he must have them
more than ordinary, because his conception is so. Plutarch says' that he
sees the Latin tongue by the things: 'tis here the same: the sense
illuminates and produces the words, no more words of air, but of flesh
and bone; they signify more than they say. Moreover, those who are not
well skilled in a language present some image of this; for in Italy I
said whatever I had a mind to in common discourse, but in more serious
talk, I durst not have trusted myself with an idiom that I could not wind
and turn out of its ordinary pace; I would have a power of introducing
something of my own.

The handling and utterance of fine wits is that which sets off language;
not so much by innovating it, as by putting it to more vigorous and
various services, and by straining, bending, and adapting it to them.
They do not create words, but they enrich their own, and give them weight
and signification by the uses they put them to, and teach them unwonted
motions, but withal ingeniously and discreetly. And how little this
talent is given to all is manifest by the many French scribblers of this
age: they are bold and proud enough not to follow the common road, but
want of invention and discretion ruins them; there is nothing seen in
their writings but a wretched affectation of a strange new style, with
cold and absurd disguises, which, instead of elevating, depress the
matter: provided they can but trick themselves out with new words, they
care not what they signify; and to bring in a new word by the head and
shoulders, they leave the old one, very often more sinewy and significant
than the other.

There is stuff enough in our language, but there is a defect in cutting
out: for there is nothing that might not be made out of our terms of
hunting and war, which is a fruitful soil to borrow from; and forms of