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Antonina by Wilkie Collins
page 23 of 557 (04%)
quiet mournfulness, which make impressive the most simple words, and
render musical the most unsteady tones. It seemed as if those tenderer
and kinder emotions, which the attractions of her offspring had once
generated in her character, had at the bidding of memory become
revivified in her manner while she lingered over the recital of their
deaths. For a brief space of time she looked fixedly and anxiously upon
the countenance of Hermanric, which was half averted from her, and
expressed a fierce and revengeful gloom that sat unnaturally on it noble
lineaments. Then turning from him, she buried her face in her hands,
and made no effort more to attract him to attention or incite him to
reply.

This solemn silence kept by the bereaved woman and the brooding man had
lasted but a few minutes, when a harsh, trembling voice was heard from
the top of the waggon, calling at intervals, 'Hermanric! Hermanric!'

At first the young man remained unmoved by those discordant and
repulsive tones. They repeated his name, however, so often and so
perseveringly, that he noticed them ere long; and rising suddenly, as if
impatient of the interruption, advanced towards the side of the waggon
from which the mysterious summons appeared to come.

As he looked up towards the vehicle the voice ceased, and he saw that
the old woman to whom he had confided the child was the person who had
called him so hurriedly but a few moments before. Her tottering body,
clothed in bear-skins, was bent forward over a large triangular shield
of polished brass, on which she leant her lank, shrivelled arms. Her
head shook with a tremulous, palsied action; a leer, half smile, half
grimace, distended her withered lips and lightened her sunken eyes.
Sinister, cringing, repulsive; her face livid with the reflection from
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