Antonina by Wilkie Collins
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page 23 of 557 (04%)
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quiet mournfulness, which make impressive the most simple words, and
render musical the most unsteady tones. It seemed as if those tenderer and kinder emotions, which the attractions of her offspring had once generated in her character, had at the bidding of memory become revivified in her manner while she lingered over the recital of their deaths. For a brief space of time she looked fixedly and anxiously upon the countenance of Hermanric, which was half averted from her, and expressed a fierce and revengeful gloom that sat unnaturally on it noble lineaments. Then turning from him, she buried her face in her hands, and made no effort more to attract him to attention or incite him to reply. This solemn silence kept by the bereaved woman and the brooding man had lasted but a few minutes, when a harsh, trembling voice was heard from the top of the waggon, calling at intervals, 'Hermanric! Hermanric!' At first the young man remained unmoved by those discordant and repulsive tones. They repeated his name, however, so often and so perseveringly, that he noticed them ere long; and rising suddenly, as if impatient of the interruption, advanced towards the side of the waggon from which the mysterious summons appeared to come. As he looked up towards the vehicle the voice ceased, and he saw that the old woman to whom he had confided the child was the person who had called him so hurriedly but a few moments before. Her tottering body, clothed in bear-skins, was bent forward over a large triangular shield of polished brass, on which she leant her lank, shrivelled arms. Her head shook with a tremulous, palsied action; a leer, half smile, half grimace, distended her withered lips and lightened her sunken eyes. Sinister, cringing, repulsive; her face livid with the reflection from |
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