his heart-strings were torn, and pitied him. Hilary Vane fiercely
resented pity, and that was why they did not speak of it. This trouble of
his was the common point on which he and Euphrasia touched, and they
touched only to quarrel. Let us out with it--Hilary Vane had a wild son,
whose name was Austen.

Euphrasia knew that in his secret soul Mr. Vane attributed this wildness,
and what he was pleased to designate as profligacy, to the Austen blood.
And Euphrasia resented it bitterly. Sarah Austen had been a young, elfish
thing when he married her,--a dryad, the elderly and learned Mrs. Tredway
had called her. Mr Vane had understood her about as well as he would have
understood Mary, Queen of Scots, if he had been married to that lady.
Sarah Austen had a wild, shy beauty, startled, alert eyes like an animal,
and rebellious black hair that curled about her ears and gave her a
faun-like appearance. With a pipe and the costume of Rosalind she would
have been perfect. She had had a habit of running off for the day into
the hills with her son, and the conventions of Ripton had been to her as
so many defunct blue laws. During her brief married life there had been
periods of defiance from her lasting a week, when she would not speak to
Hilary or look at him, and these periods would be followed by violent
spells of weeping in Euphrasia's arms, when the house was no place for
Hilary. He possessed by matrimony and intricate mechanism of which his
really admirable brain could not grasp the first principles; he felt for
her a real if uncomfortable affection, but when she died he heaved a sigh
of relief, at which he was immediately horrified.

Austen he understood little better, but his affection for the child may
be likened to the force of a great river rushing through a narrow gorge,
and he vied with Euphrasia in spoiling him. Neither knew what they were
doing, and the spoiling process was interspersed with occasional and (to