humours perspicuous enough.

MIT. True, as his subject lies; but he might have altered the shape of his
argument, and explicated them better in single scenes.

COR. That had been single indeed. Why, be they not the same persons in
this, as they would have been in those? and is it not an object of more
state, to behold the scene full, and relieved with variety of speakers to
the end, than to see a vast empty stage, and the actors come in one by one,
as if they were dropt down with a feather into the eye of the spectators?

MIT. Nay, you are better traded with these things than I, and therefore
I'll subscribe to your judgment; marry, you shall give me leave to make
objections.

COR. O, what else? it is the special intent of the author you should do
so; for thereby others, that are present, may as well be satisfied, who
haply would object the same you would do.

MIT. So, sir; but when appears Macilente again?

COR. Marry, he stays but till our silence give him leave: here he comes,
and with him signior Deliro, a merchant at whose house he is come to
sojourn: make your own observation now, only transfer your thoughts to the
city, with the scene: where suppose they speak.


SCENE II. A ROOM IN DELIRO'S HOUSE.

ENTER DELIRO, MACILENTE, AND FIDO WITH FLOWERS AND PERFUMES.