Hopes and Fears for Art by William Morris
page 51 of 181 (28%)
page 51 of 181 (28%)
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hopelessness, drive right through their work. Such men are the salt
of the earth. But must there not be something wrong with a state of society which drives these into that bitter heroism, and the most part into shirking, into the depths often of half-conscious self- contempt and degradation? Be sure that there is, that the blindness and hurry of civilisation, as it now is, have to answer a heavy charge as to that enormous amount of pleasureless work--work that tries every muscle of the body and every atom of the brain, and which is done without pleasure and without aim--work which everybody who has to do with tries to shuffle off in the speediest way that dread of starvation or ruin will allow him. I am as sure of one thing as that I am living and breathing, and it is this: that the dishonesty in the daily arts of life, complaints of which are in all men's mouths, and which I can answer for it does exist, is the natural and inevitable result of the world in the hurry of the war of the counting-house, and the war of the battlefield, having forgotten--of all men, I say, each for the other, having forgotten, that pleasure in our daily labour, which nature cries out for as its due. Therefore, I say again, it is necessary to the further progress of civilisation that men should turn their thoughts to some means of limiting, and in the end of doing away with, degrading labour. I do not think my words hitherto spoken have given you any occasion to think that I mean by this either hard or rough labour; I do not pity men much for their hardships, especially if they be accidental; not necessarily attached to one class or one condition, I mean. Nor do I think (I were crazy or dreaming else) that the work of the |
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