Hopes and Fears for Art by William Morris
page 76 of 181 (41%)
page 76 of 181 (41%)
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is simply an organised injustice, a mere instrument for oppression,
so much the worse than that which has gone before it, as its pretensions are higher, its slavery subtler, its mastery harder to overthrow, because supported by such a dense mass of commonplace well-being and comfort. Surely this cannot be: surely there is a distinct feeling abroad of this injustice: so that if the residuum still clogs all the efforts of modern civilisation to rise above mere population-breeding and money-making, the difficulty of dealing with it is the legacy, first of the ages of violence and almost conscious brutal injustice, and next of the ages of thoughtlessness, of hurry and blindness; surely all those who think at all of the future of the world are at work in one way or other in striving to rid it of this shame. That to my mind is the meaning of what we call National Education, which we have begun, and which is doubtless already bearing its fruits, and will bear greater, when all people are educated, not according to the money which they or their parents possess, but according to the capacity of their minds. What effect that will have upon the future of the arts, I cannot say, but one would surely think a very great effect; for it will enable people to see clearly many things which are now as completely hidden from them as if they were blind in body and idiotic in mind: and this, I say, will act not only upon those who most directly feel the evils of ignorance, but also upon those who feel them indirectly,--upon us, the educated: the great wave of rising intelligence, rife with so many natural desires and aspirations, will carry all classes along with it, and force us all to see that |
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