Hopes and Fears for Art by William Morris
page 88 of 181 (48%)
page 88 of 181 (48%)
![]() | ![]() |
|
|
indeed? Farewell my hope then!--I had thought that civilisation
meant the attainment of peace and order and freedom, of goodwill between man and man, of the love of truth and the hatred of injustice, and by consequence the attainment of the good life which these things breed, a life free from craven fear, but full of incident: that was what I thought it meant, not more stuffed chairs and more cushions, and more carpets and gas, and more dainty meat and drink--and therewithal more and sharper differences between class and class. If that be what it is, I for my part wish I were well out of it, and living in a tent in the Persian desert, or a turf hut on the Iceland hill-side. But however it be, and I think my view is the true view, I tell you that art abhors that side of civilisation, she cannot breathe in the houses that lie under its stuffy slavery. Believe me, if we want art to begin at home, as it must, we must clear our houses of troublesome superfluities that are for ever in our way: conventional comforts that are no real comforts, and do but make work for servants and doctors: if you want a golden rule that will fit everybody, this is it: 'HAVE NOTHING IN YOUR HOUSES THAT YOU DO NOT KNOW TO BE USEFUL OR BELIEVE TO BE BEAUTIFUL.' And if we apply that rule strictly, we shall in the first place show the builders and such-like servants of the public what we really want, we shall create a demand for real art, as the phrase goes; and in the second place, we shall surely have more money to pay for decent houses. |
|


