Hopes and Fears for Art by William Morris
page 96 of 181 (53%)
page 96 of 181 (53%)
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basest, the ugliest, and the most inconvenient that men have ever
built for themselves, and which our own haste, necessity, and stupidity, compel almost all of us to live in? That is our present question. In dealing with this subject, I shall perforce be chiefly speaking of those middle-class dwellings of which I know most; but what I have to say will be as applicable to any other kind; for there is no dignity or unity of plan about any modern house, big or little. It has neither centre nor individuality, but is invariably a congeries of rooms tumbled together by chance hap. So that the unit I have to speak of is a room rather than a house. Now there may be some here who have the good luck to dwell in those noble buildings which our forefathers built, out of their very souls, one may say; such good luck I call about the greatest that can befall a man in these days. But these happy people have little to do with our troubles of to-night, save as sympathetic onlookers. All we have to do with them is to remind them not to forget their duties to those places, which they doubtless love well; not to alter them or torment them to suit any passing whim or convenience, but to deal with them as if their builders, to whom they owe so much, could still be wounded by the griefs and rejoice in the well-doing of their ancient homes. Surely if they do this, they also will neither be forgotten nor unthanked in the time to come. There may be others here who dwell in houses that can scarcely be called noble--nay, as compared with the last-named kind, may be almost called ignoble--but their builders still had some traditions left them of the times of art. They are built solidly and |
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