Hopes and Fears for Art by William Morris
page 98 of 181 (54%)
page 98 of 181 (54%)
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many difficulties (not of their own breeding) in producing them,
know their shortcomings much better than we can do, and are less elated by their successes than we are. At any rate, they are gifts to our country which will always be respected, whether the times better or worsen, and I call upon you to thank their designers most heartily for their forethought, labour, and hope. Well, I have spoken of three qualifications to that degradation of our dwellings which characterises this period of history only. First, there are the very few houses which have been left us from the times of art. Except that we may sometimes have the pleasure of seeing these, we most of us have little enough to do with them. Secondly, there are those houses of the times when, though art was sick and all but dead, men had not quite given it up as a bad job, and at any rate had not learned systematic bad building; and when, moreover, they had what they wanted, and their lives were expressed by their architecture. Of these there are still left a good many all over the country, but they are lessening fast before the irresistible force of competition, and will soon be very rare indeed. Thirdly, there are a few houses built and mostly inhabited by the ringleaders of the rebellion against sordid ugliness, which we are met here to further to-night. It is clear that as yet these are very few,--or you could never have thought it worth your while to come here to hear the simple words I have to say to you on this subject. |
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