important musicians of our time, and in consequence are in the
very element most favourable to the enterprise which of late has
been resumed chiefly through my means. As no doubt you heard at
the time, we have transferred Weber's remains to the earth of his
German home. We have had a site for the intended monument
assigned to us close to our beautiful Dresden theatre, and a
commencement towards the necessary funds has been made by the
benefit performances at the Dresden, Berlin, and Munich theatres.
These funds, however, I need scarcely mention, have to be
increased considerably if something worthy is to be achieved, and
we must work with all our strength to rouse enthusiasm wherever
something may still be done. A good deal of this care I should
like to leave to you, not, you may believe me, from idleness, but
because I feel convinced that the voice of a poor German composer
of operas, compelled to devote his lifelong labour to the
spreading of his works a little beyond the limits of his
province, is much too feeble to be counted of importance for
anything in the world. Dear Herr Liszt, take it well to heart
when I ask you to relieve me of the load which would probably be
heaped on me by the reproach that I had compromised our dear
Weber's memory, because it was none other than I, weak and
unimportant as I am, who had first mooted this celebration. Pray,
do what you can in order to be helpful to our enterprise, for
gradually, as I observe the vulgar indifference of our theatres,
which owe so much to Weber, I begin to fear that our fund might
easily remain such as it is at present, and that would be
tantamount to our having to commence with very inadequate means
the erection of a monument which doubtless would have turned out
better if a more important personality had started the idea.