at its lightness and excellence, which was so great that our jewellers,
compared with those of Nero and Agrippina, were as artisans and workmen.

The King, having never spoken to me again of this ornament, I persuaded
myself that he had made me a present of it,--a circumstance which
confirmed me in the delusions of my hope. I thought then that I ought
not to leave in its light case an article of such immense value, and
ordered a strong and solid casket in which to enshrine my treasure.

The imperial crown having been encased and its clasps well adjusted by as
many little locks of steel, I shut the illustrious valuable in a cupboard
in which I had a quantity of jewelry and precious stones. This beautiful
crown was the constant object of my thoughts, my affections and my
preference; but I only looked at it myself at long intervals, every six
months, very briefly, for fear of exciting the cupidity of servants, and
exposing the glory of Agrippina to some danger.

When the Princess of Mantua passed through France on her way to marry the
Duke of York, whose first wife had left him a widower, the King gave a
brilliant reception to this young and lovely creature, daughter of a
niece of Cardinal Mazarin.

The conversation was uniformly most agreeable, for she spoke French with
fluency, and employed it with wit. There was talk of open-work crowns
and shut crowns. The Marquis de Dangeau, something of a savant and
antiquary, happened to remark that, under Nero, that magnificent prince,
the imperial crown had first been wrought in the form of an arch, such as
is seen now.

The King said then: "I was ignorant of that fact; but the crown of the