The Reformed Religion and Painting on Enamel--Petitot and
Heliogabalus.--Theological Discussion with the Marquise.--The King's
Intervention.--Louis XIV. Renders His Account to the Christian and Most
Christian Painter.--The King's Word Is Not to Be Resisted.--Revocation of
the Edict of Nantes.


At the moment when the first edicts, were issued against the public
exercise of the Reformed Religion, the famous and incomparable Petitot,
refusing all the supplications of France and of Europe, executed for me,
in my chateau of Clagny, five infinitely precious portraits, upon which
it was his caprice only to work alternately, and which still demanded
from him a very great number of sittings. One of these five portraits
was that of the King, copied from that great and magnificent picture of
Mignard, where he was represented at the age of twenty, in the costume of
a Greek hero, in all the lustre of his youth. His Majesty had given me
this little commission for more than a year, and I desired, with all my
heart, to be able soon to fulfil his expectation. He destined this
miniature for the Emperor of China or the Sultan.

I went to see M. Petitot at Clagny. When he saw me he came to me with a
wrathful air, and, presenting me his unfinished enamel, he said to me:
"Here, madame, is your Greek hero; his new edicts finish us, but, as for
me, I shall not finish him. With the best intentions in the world, and
all the respect that is due to him, my just resentment would pass into my
brush; I should give him the traits of Heliogabalus, which would probably
not delight him."

"Do you think so, monsieur?" said I to my artist. "Is it thus you speak
of the King, our master,--of a King who has affection for you, and has