injury. In this manner he verified my fears and predictions, I am of
opinion my pretended friends would have pardoned me for having written
books, and even excellent ones, because this merit was not foreign to
themselves; but that they could not forgive my writing an opera, nor the
brilliant success it had; because there was not one amongst them capable
of the same, nor in a situation to aspire to like honors. Duclos, the
only person superior to jealousy, seemed to become more attached to me:
he introduced me to Mademoiselle Quinault, in whose house I received
polite attention, and civility to as great an extreme, as I had found a
want of it in that of M. d'Holbach.

Whilst the performance of the 'Devin du Village' was continued at the
opera-house, the author of it had an advantageous negotiation with the
managers of the French comedy. Not having, during seven or eight years,
been able to get my 'Narcissis' performed at the Italian theatre, I had,
by the bad performance in French of the actors, become disgusted with it,
and should rather have had my piece received at the French theatre than
by them. I mentioned this to La None, the comedian, with whom I had
become acquainted, and who, as everybody knows, was a man of merit and an
author. He was pleased with the piece, and promised to get it performed
without suffering the name of the author to be known; and in the meantime
procured me the freedom of the theatre, which was extremely agreeable to
me, for I always preferred it to the two others. The piece was favorably
received, and without the author's name being mentioned; but I have
reason to believe it was known to the actors and actresses, and many
other persons. Mademoiselles Gauffin and Grandval played the amorous
parts; and although the whole performance was, in my opinion,
injudicious, the piece could not be said to be absolutely ill played.
The indulgence of the public, for which I felt gratitude, surprised me;
the audience had the patience to listen to it from the beginning to the