The aspects of one of these chapels is peculiar. A hundred or a hundred
and fifty ladies, almost buried in silk and velvet, are crowded devoutly
about the confessional. A sweet scent of violets and vervain permeates
the vicinity, and one halts, in spite of one's self, in the presence of
this large display of elegance.

From each of the two cells adjoining the confessional shoot out the folds
of a rebellious skirt, for the penitent, held fast at the waist, has been
able to get only half of her form into the narrow space. However, her
head can be distinguished moving in the shadow, and we can guess from the
contrite movements of her white feather that her forehead is bowed by
reason of remonstrance and repentance.

Hardly has she concluded her little story when a dozen of her neighbors
rush forward to replace her. This eagerness is quite explicable, for
this chapel is the one in which the Abbe Gelon hears confessions, and I
need not tell you that when the Abbe Gelon confesses it is the same as if
he were preaching--there is a crowd.

The good Abbe confesses all these ladies, and, with angelic devotion,
remains shut up for hours in this dark, narrow, suffocating box, through
the grating of which two penitents are continually whispering their sins.

The dear Abbe! the most likable thing about him is that he is not long
over the business. He knows how to get rid of useless details; he
perceives, with subtle instinct and a sureness of vision that spares you
a thousand embarrassments, the condition of a soul, so that, besides
being a man of intelligence and of the world, he renders the repetition
of those little weaknesses, of which he has whispered the one half to
you, almost agreeable.