Madame Chrysantheme — Volume 1 by Pierre Loti
page 21 of 53 (39%)
page 21 of 53 (39%)
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which I will mention by degrees and with due deliberation, when I shall
have had time to assemble the necessary words. But the more I look at you the more uneasy I feel as to what my fiancee of to-morrow may be like. Almost pretty, I grant you, you are--in virtue of quaintness, delicate hands, miniature feet, but ugly, after all, and absurdly small. You look like little monkeys, like little china ornaments, like I don't know what. I begin to understand that I have arrived at this house at an ill-chosen moment. Something is going on which does not concern me, and I feel that I am in the way. From the beginning I might have guessed as much, notwithstanding the excessive politeness of my welcome; for I remember now, that while they were taking off my boots downstairs, I heard a murmuring chatter overhead, then a noise of panels moved quickly along their grooves, evidently to hide from me something not intended for me to see; they were improvising for me the apartment in which I now am just as in menageries they make a separate compartment for some beasts when the public is admitted. Now I am left alone while my orders are being executed, and I listen attentively, squatted like a Buddha on my black velvet cushion, in the midst of the whiteness of the walls and mats. Behind the paper partitions, feeble voices, seemingly numerous, are talking in low tones. Then rises the sound of a guitar, and the song of a woman, plaintive and gentle in the echoing sonority of the bare house, in the melancholy of the rainy weather. What one can see through the wide-open veranda is very pretty; I will admit that it resembles the landscape of a fairytale. There are |
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