silence which prevails at two o'clock in the morning, we heard overhead a
sound like a regular wild huntsman's chase passing at full gallop.

"Nidzoumi!" ("The mice!") said Chrysantheme.

Suddenly the word brings back to my mind yet another phrase, spoken in a
very different language, in a country far away from here: "Setchan!" a
word heard elsewhere, a word that has likewise been whispered in my ear
by a woman's voice, under similar circumstances, in a moment of nocturnal
terror--"Setchan!" It was during one of our first nights at Stamboul
spent under the mysterious roof of Eyoub, when danger surrounded us on
all sides; a noise on the steps of the black staircase had made us
tremble, and she also, my dear little Turkish companion, had said to
me in her beloved language, "Setchan!" ("the mice!").

At that fond recollection, a thrill of sweet memories coursed through my
veins; it was as if I had been startled out of a long ten years' sleep;
I looked down upon the doll beside me with a sort of hatred, wondering
why I was there, and I arose, with almost a feeling of remorse, to escape
from that blue gauze net.

I stepped out upon the veranda, and there I paused, gazing into the
depths of the starlit night. Beneath me Nagasaki lay asleep, wrapped in
a soft, light slumber, hushed by the murmuring sound of a thousand
insects in the moonlight, and fairy-like with its roseate hues. Then,
turning my head, I saw behind me the gilded idol with our lamps burning
in front of it; the idol smiling the impassive smile of Buddha; and its
presence seemed to cast around it something, I know not what, strange and
incomprehensible. Never until now had I slept under the eye of such a
god.