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Imaginary Portraits by Walter Pater
page 31 of 108 (28%)

[42]

April 1721.

We were on the point of retiring to rest last evening when a
messenger arrived post-haste with a letter on behalf of Antony
Watteau, desiring Jean-Baptiste's presence at Paris. We did not go
to bed that night; and my brother was on his way before daylight, his
heart full of a strange conflict of joy and apprehension.

May 1721.

A letter at last! from Jean-Baptiste, occupied with cares of all
sorts at the bedside of the sufferer. Antony fancying that the air
of the country might do him good, the Abbe Haranger, one of the
canons of the Church of Saint Germain l'Auxerrois, where he was in
the habit of hearing Mass, has lent him a house at Nogent-sur-Marne.
There he receives a few visitors. But in truth the places he once
liked best, the people, nay! the very friends, have become to him
nothing less than insupportable. Though he still dreams of change,
and would fain try his native air once more, he is at work constantly
upon his art; but solely by way of a teacher, instructing (with a
kind of remorseful diligence, it would seem) Jean-Baptiste, who will
be heir to his unfinished work, and take up many of his pictures
where he has left them. He seems now anxious [43] for one thing
only, to give his old "dismissed" disciple what remains of himself,
and the last secrets of his genius.

His property--9000 livres only--goes to his relations. Jean-Baptiste
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