Imaginary Portraits by Walter Pater
page 37 of 108 (34%)
page 37 of 108 (34%)
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that it seems always longing for a larger and more continuous
allowance of the sunshine which is so much to its taste. You might fancy something querulous or plaintive in that rustling movement of the vine-leaves, as blue-frocked Jacques Bonhomme finishes his day's labour among them. To beguile one such afternoon when the rain set in early and walking was impossible, I found my way to the shop of an old dealer in bric- a-brac. It was not a monotonous display, after the manner of the Parisian dealer, of a stock-in-trade the like of which one has seen many times over, but a discriminate collection of real curiosities. One seemed to recognise a provincial school of taste in various relics of the housekeeping of the last century, with many a gem of earlier times from the old churches and religious houses of the neighbourhood. Among them was a large and brilliant fragment of stained glass which might have come from the cathedral itself. Of the very finest quality in colour and design, it presented a figure not exactly conformable to any recognised ecclesiastical type; and it was clearly part of a series. On my eager inquiry for the remainder, the old man replied that no more of it was [53] known, but added that the priest of a neighbouring village was the possessor of an entire set of tapestries, apparently intended for suspension in church, and designed to portray the whole subject of which the figure in the stained glass was a portion. Next afternoon accordingly I repaired to the priest's house, in reality a little Gothic building, part perhaps of an ancient manor- house, close to the village church. In the front garden, flower- garden and potager in one, the bees were busy among the autumn growths--many-coloured asters, bignonias, scarlet-beans, and the old- |
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