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The Renaissance: studies in art and poetry by Walter Pater
page 25 of 199 (12%)
cause her to be burned or drowned. She perceived that the old
woman who kept her company was asleep; she rose and put on
the fairest gown she had; she took the bed-clothes [22] and the
towels, and knotted them together like a cord, as far as they
would go. Then she tied the end to a pillar of the window, and let
herself slip down quite softly into the garden, and passed straight
across it, to reach the town.

"Her hair was yellow in small curls, her smiling eyes blue-green,
her face clear and feat, the little lips very red, the teeth small and
white; and the daisies which she crushed in passing, holding her
skirt high behind and before, looked dark against her feet; the girl
was so white!

"She came to the garden-gate and opened it, and walked through
the streets of Beaucaire, keeping on the dark side of the way to be
out of the light of the moon, which shone quietly in the sky. She
walked as fast as she could, until she came to the tower where
Aucassin was. The tower was set about with pillars, here and
there. She pressed herself against one of the pillars, wrapped
herself closely in her mantle, and putting her face to a chink of
the tower, which was old and ruined, she heard Aucassin crying
bitterly within, and when she had listened awhile she began to
speak."

But scattered up and down through this lighter matter, always
tinged with humour and often passing into burlesque, which
makes up the general substance of the piece, there are morsels of
a different quality, touches of some intenser sentiment, coming it
would seem from [23] the profound and energetic spirit of the
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