The Renaissance: studies in art and poetry by Walter Pater
page 25 of 199 (12%)
page 25 of 199 (12%)
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cause her to be burned or drowned. She perceived that the old
woman who kept her company was asleep; she rose and put on the fairest gown she had; she took the bed-clothes [22] and the towels, and knotted them together like a cord, as far as they would go. Then she tied the end to a pillar of the window, and let herself slip down quite softly into the garden, and passed straight across it, to reach the town. "Her hair was yellow in small curls, her smiling eyes blue-green, her face clear and feat, the little lips very red, the teeth small and white; and the daisies which she crushed in passing, holding her skirt high behind and before, looked dark against her feet; the girl was so white! "She came to the garden-gate and opened it, and walked through the streets of Beaucaire, keeping on the dark side of the way to be out of the light of the moon, which shone quietly in the sky. She walked as fast as she could, until she came to the tower where Aucassin was. The tower was set about with pillars, here and there. She pressed herself against one of the pillars, wrapped herself closely in her mantle, and putting her face to a chink of the tower, which was old and ruined, she heard Aucassin crying bitterly within, and when she had listened awhile she began to speak." But scattered up and down through this lighter matter, always tinged with humour and often passing into burlesque, which makes up the general substance of the piece, there are morsels of a different quality, touches of some intenser sentiment, coming it would seem from [23] the profound and energetic spirit of the |
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