disguises. The larger number betook themselves to Egypt, where
for greater security they assumed the forms of animals, as is
generally known. Just in the same way, they had to take flight
again, and seek entertainment in remote hiding-places, when
those iconoclastic zealots, the black brood of monks, broke down
all the temples, and pursued the gods with fire and curses. Many
of these unfortunate emigrants, now entirely deprived of shelter
and ambrosia, must needs take to vulgar handicrafts, as a means
of earning their bread. Under these circumstances, many whose
sacred groves had been confiscated, let themselves out for hire as
wood-cutters in Germany, and were forced to drink beer instead
of nectar. Apollo seems to have been content to take service
under graziers, and as he had once kept the cows of Admetus, so
he lived now as a shepherd in Lower Austria. Here, however,
having become suspected on account of his beautiful singing, he
was recognised by a learned monk as one of the old pagan gods,
and handed over to the spiritual tribunal. On the rack he
confessed that he was the god Apollo; and before his execution
he begged that he might be suffered to play once more upon the
lyre, and to sing a song. And he played so touchingly, and sang
with such magic, and was withal so [33] beautiful in form and
feature, that all the women wept, and many of them were so
deeply impressed that they shortly afterwards fell sick. Some
time afterwards the people wished to drag him from the grave
again, that a stake might be driven through his body, in the belief
that he had been a vampire, and that the sick women would by
this means recover. But they found the grave empty."

The Renaissance of the fifteenth century was, in many things,
great rather by what it designed than by what it achieved. Much