Gaston de Latour; an unfinished romance by Walter Pater
page 28 of 122 (22%)
page 28 of 122 (22%)
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rules. Say, rather, a world of honesty, and of courage! They, at
least, were not preoccupied all day long, and, if they woke in the night, with the fear of death. [36] It was part of their precocious worldliness to recognise, to feel a little afraid of their new companion's intellectual power. Those obviously meditative souls, which seem "not to sleep o' nights," seldom fail to put others on their guard. Who can tell what they may be judging, planning in silence, so near to one? Looking back long afterwards across the dark period that had intervened, Gaston could trace their ways through the world. Not many of them had survived to his own middle life. Reappearing, from point to point, they connected themselves with the great crimes, the great tragedies of the time, as so many bright-coloured threads in that sombre tapestry of human passion. To recall in the obtuse, grieved, marred faces of uninteresting men or women, the disappointments, the sorrows, the tragic mistakes of the children they were long ago; that is a good trick for taking our own sympathy by surprise, which Gaston practised when he saw the last, or almost the last, of some of them, and felt a great pity, a great indulgence. Here and now, at all events, carrying their cheerful tumult through all those quiet ecclesiastical places--the bishop's garden, the great sacristy, neat and clean in its brown, pensive lights, they seemed of a piece with the bright, simple, inanimate things, the toys, of nature. They made one lively picture with the fruit and wine they loved, the birds they captured, the buckets of clear water drawn for pastime from [37] the great well, and Jean Semur's painted conjuring book stolen from the old sorceress, his grandmother, out of which he told their fortunes; with the musical instruments of others; with |
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