to Helen, to whom he had been content to propose no other, gazed,
more impassibly than ever, from the walls.

They might have been sisters, those many successive loves, or one and
the same lady over and over again, in slightly varied humour and
attire perhaps, at the different intervals of some rather lengthy,
mimetic masque of love, to which the theatrical dress of that day was
appropriate; [65] for the mannered Italian, or Italianised, artists,
including the much-prized, native Janet, with his favourite water-
green backgrounds, aware of the poet's predilection, had given to all
alike the same brown eyes and tender eyelids and golden hair and
somewhat ambered paleness, varying only the curious artifices of the
dress--knots, and nets, and golden spider-work, and clear, flat
stones. Dangerous guests in that simple, cloistral place, Sibyls of
the Renaissance on a mission from Italy to France, to Gaston one and
all seemed under the burden of some weighty message concerning a
world unknown to him; the stealthy lines of cheek and brow contriving
to express it, while the lips and eyes only smiled, not quite
honestly. It had been a learned love, with undissembled "hatred of
the vulgar." Three royal Margarets, much-praised pearls of three
succeeding generations (for to the curious in these objects purity is
far from being the only measure of value) asserted charms a thought
more frank, or French, though still gracefully pedantic, with their
quaintly kerchiefed books--books of what?--in their pale hands.
Among the ladies, on the pictured wall as in life, were the poet's
male companions, stirring memories of a more material sort, though
their common interest had been poetry--memories of that "Bohemia,"
which even a prince of court poets had frequented when he was young,
of his cruder youthful vanities. [66] In some cases the date of death
was inscribed below.