* * *

Mr. King has elsewhere in his work referred both to Lanzi and to
Lomazzo in support of his very high opinion of Gaudenzio Ferrari; it
may, therefore, be as well to give extracts from each of these
writers. Lanzi says:-


"If we examine into further particulars of his style, we shall find
Ferrari's warm and lively colouring so superior to that of the
Milanese artists of his day, that we shall have no difficulty in
recognising it in the churches where he painted; the eye of the
spectator is directly attracted towards it; his carnations are
natural and varied according to his subjects; his draperies display
much fancy and originality, with middle tints blended so skilfully as
to equal the most beautiful produced by any other artist. And, if we
may say so,--he succeeded in representing the minds even better than
the forms of his subjects. He particularly studied this branch of
the art, and we seldom observe more marked attitudes or more
expressive . . . As Lomazzo, however, has dwelt so much at length on
his admirable skill both in painting and modelling, it would be idle
to insist on it further. But I ought to add that it is a great
reflection upon Vasari that he did not better know or better estimate
such an artist; so that foreigners who form their opinions only from
history are left unacquainted with his merit, and have uniformly
neglected to do him justice in their writings."


Lomazzo says:-