This nook is the chosen haunt of the winter wren. This is the only
place and these the only woods in which I find him in this vicinity.
His voice fills these dim aisles, as if aided by some marvelous
sounding-board. Indeed, his song is very strong for so small a bird,
and unites in a remarkable degree brilliancy and plaintiveness. I
think of a tremulous vibrating tongue of silver. You may know it is
the song of a wren, from its gushing lyrical character; but you must
needs look sharp to see the little minstrel, especially while in the
act of singing. He is nearly the color of the ground and the leaves;
he never ascends the tall trees, but keeps low, flitting from stump to
stump and from root to root, dodging in and out of his hiding-places,
and watching all intruders with a suspicious eye. He has a very pert,
almost comical look. His tail stands more that perpendicular: it
points straight toward his head. He is the least ostentatious singer I
know of. He does not strike an attitude, and lift up his head in
preparation, and, as it were, clear his throat; but sits there on a
log and pours out his music, looking straight before him, or even down
at the ground. As a songster, he has but few superiors. I do not hear
him after the first week in July.

While sitting on this soft-cushioned log, tasting the pungent
acidulous wood-sorrel, the blossoms of which, large and pink-veined,
rise everywhere above the moss, a rufous-colored bird flies quickly
past, and, alighting on a low limb a few rods off, salutes me with
"Whew! Whew!" or "Whoit! Whoit!" almost as you would whistle for your
dog. I see by his impulsive, graceful movement, and his dimly speckled
breast, that it is a thrush. Presently he utters a few soft, mellow,
flute-like notes, one of the most simple expressions of melody to be
heard, and scuds away, and I see it is the veery, or Wilson's thrush.