capacity. Ursula knew, among these men, only Rupert Birkin, who was one
of the school-inspectors of the county. But Gudrun had met others, in
London. Moving with her artist friends in different kinds of society,
Gudrun had already come to know a good many people of repute and
standing. She had met Hermione twice, but they did not take to each
other. It would be queer to meet again down here in the Midlands, where
their social standing was so diverse, after they had known each other
on terms of equality in the houses of sundry acquaintances in town. For
Gudrun had been a social success, and had her friends among the slack
aristocracy that keeps touch with the arts.

Hermione knew herself to be well-dressed; she knew herself to be the
social equal, if not far the superior, of anyone she was likely to meet
in Willey Green. She knew she was accepted in the world of culture and
of intellect. She was a KULTURTRAGER, a medium for the culture of
ideas. With all that was highest, whether in society or in thought or
in public action, or even in art, she was at one, she moved among the
foremost, at home with them. No one could put her down, no one could
make mock of her, because she stood among the first, and those that
were against her were below her, either in rank, or in wealth, or in
high association of thought and progress and understanding. So, she was
invulnerable. All her life, she had sought to make herself
invulnerable, unassailable, beyond reach of the world's judgment.

And yet her soul was tortured, exposed. Even walking up the path to the
church, confident as she was that in every respect she stood beyond all
vulgar judgment, knowing perfectly that her appearance was complete and
perfect, according to the first standards, yet she suffered a torture,
under her confidence and her pride, feeling herself exposed to wounds
and to mockery and to despite. She always felt vulnerable, vulnerable,