romantic spirit. They didn't, indeed, poor dears, know what, in
that line--the line of futility--the real thing meant. HE did--
having seen it, having tried it, having taken its measure. This
was a memory in fact simply to screen out--much as, just in front
of him while he walked, the iron shutter of a shop, closing early
to the stale summer day, rattled down at the turn of some crank.
There was machinery again, just as the plate glass, all about
him, was money, was power, the power of the rich peoples. Well,
he was OF them now, of the rich peoples; he was on their side--if
it wasn't rather the pleasanter way of putting it that they were
on his.

Something of this sort was in any case the moral and the murmur
of his walk. It would have been ridiculous--such a moral from
such a source--if it hadn't all somehow fitted to the gravity of
the hour, that gravity the oppression of which I began by
recording. Another feature was the immediate nearness of the
arrival of the contingent from home. He was to meet them at
Charing Cross on the morrow: his younger brother, who had married
before him, but whose wife, of Hebrew race, with a portion that
had gilded the pill, was not in a condition to travel; his sister
and her husband, the most anglicised of Milanesi, his maternal
uncle, the most shelved of diplomatists, and his Roman cousin,
Don Ottavio, the most disponible of ex-deputies and of
relatives--a scant handful of the consanguineous who, in spite of
Maggie's plea for hymeneal reserve, were to accompany him to the
altar. It was no great array, yet it was apparently to be a more
numerous muster than any possible to the bride herself, having
no wealth of kinship to choose from and making it up, on the
other hand, by loose invitations. He had been interested in the