which was that at present, mildly rueful, though with a sharpish
accent, he actually asked himself WHY there hadn't. There was much
the same difference in his impression of the noticed state of his
companion, whose dress was "cut down," as he believed the term to
be, in respect to shoulders and bosom, in a manner quite other than
Mrs. Newsome's, and who wore round her throat a broad red velvet
band with an antique jewel--he was rather complacently sure it was
antique--attached to it in front. Mrs. Newsome's dress was never in
any degree "cut down," and she never wore round her throat a broad
red velvet band: if she had, moreover, would it ever have served so
to carry on and complicate, as he now almost felt, his vision?

It would have been absurd of him to trace into ramifications the
effect of the ribbon from which Miss Gostrey's trinket depended,
had he not for the hour, at the best, been so given over to
uncontrolled perceptions. What was it but an uncontrolled
perception that his friend's velvet band somehow added, in her
appearance, to the value of every other item--to that of her smile
and of the way she carried her head, to that of her complexion, of
her lips, her teeth, her eyes, her hair? What, certainly, had a man
conscious of a man's work in the world to do with red velvet bands?
He wouldn't for anything have so exposed himself as to tell Miss
Gostrey how much he liked hers, yet he HAD none the less not only
caught himself in the act--frivolous, no doubt, idiotic, and above
all unexpected--of liking it: he had in addition taken it as a
starting-point for fresh backward, fresh forward, fresh lateral
flights. The manner in which Mrs. Newsome's throat WAS encircled
suddenly represented for him, in an alien order, almost as many
things as the manner in which Miss Gostrey's was. Mrs. Newsome
wore, at operatic hours, a black silk dress--very handsome, he knew