The Mr. Pulpit young men have in them, until their habits have fretted
him out, was directing Lord Fleetwood's meditations upon the errors of
the general man, as a cover for lateral references to his hitherto
erratic career: not much worse than a swerving from the right line,
which now seemed the desirable road for him, and had previously seemed
so stale, so repulsive. He was, of course, only half-conscious of his
pulpitizing; he fancied the serious vein of his thoughts attributable to
a tumbled night. Nevertheless, he had the question whether that woman--
poor girl!--was influencing his thoughts. For in a moment, the very word
'respect' pitched him upon her character; to see it a character that
emerged beneath obstacles, and overcame ridicule, won suffrages, won a
reluctant husband's admiration, pricked him from distaste to what might
really be taste for her companionship, or something more alarming to
contemplate in the possibilities,--thirst for it. He was driving away,
and he longed to turn back. He did respect her character: a character
angular as her features were, and similarly harmonious, splendid in
action.

Respect seems a coolish form of tribute from a man who admires. He had
to say that he did not vastly respect beautiful women. Have they all the
poetry? Know them well, and where is it?

The pupil of Gower Woodseer asked himself to specify the poetry of woman.
She is weak and inferior, but she has it; civilized men acknowledge it;
and it is independent, or may be beside her gift of beauty. She has more
of it than we have. Then name it.

Well, the flowers of the field are frail things. Pluck one, and you have
in your hand the frailest of things. But reach through the charm of
colour and the tale of its beneficence in frailty to the poetry of the