torch of Life in the jaws of Death to light her: beauty of the nether
kingdom mounting to an upper place in the higher. Her beauty recognized,
the name of the man who married her is not Longears--not to himself,
is the main point; nor will it be to the world when he shows that
it is not so to himself.

Suppose he went to her, would she be trying at domination? The woman's
pitch above woman's beauty was perceived to be no intermittent beam, but
so living as to take the stamp of permanence. More than to say it was
hers, it was she. What a deadly peril brought into view was her
character-soul, some call it: generally a thing rather distasteful in
women, or chilling to the masculine temperament. Here it attracts.
Here, strange to say, it is the decided attraction, in a woman of a
splendid figure and a known softness. By rights, she should have more
understanding than to suspect the husband as guilty of designs done to
death in romances. However, she is not a craven who compliments him by
rearing him, and he might prove that there is no need for fear. But she
would be expecting explanations before the reconcilement. The bosom of
these women will keep on at its quick heaving until they have heard
certain formal words, oaths to boot. How speak them?

His old road of the ladder appeared to Fleetwood an excellent one for
obviating explanations and effecting the reconcilement without any
temporary seeming forfeit of the native male superiority. For there she
is at Esslemont now; any night the window could be scaled. 'It is my
husband.' The soul was in her voice when she said it.

He remembered that it had not ennobled her to him then; had not endeared;
was taken for a foreign example of the childish artless, imperfectly
suited to our English clime.' The tone of adorable utterances, however