The Idea of Progress - An inguiry into its origin and growth by J. B. (John Bagnell) Bury
page 87 of 354 (24%)
page 87 of 354 (24%)
![]() | ![]() |
|
breaches of continuity. [Footnote: Tassoni argues that a decline in
all pursuits is inevitable when a certain point of excellence has been reached, quoting Velleius Paterculus (i. 17): difficilisque in perfecto mora est naturaliterque quod procedere non potest recedit.] In drawing his comparison Tassoni seeks to make good his claim that he is not an advocate. But while he awards superiority here and there to the ancients, the moderns on the whole have much the best of it. He takes a wide enough survey, including the material side of civilisation, even costume, in contrast with some of the later controversialists, who narrowed the field of debate to literature and art. Tassoni's Thoughts were translated into French, and the book was probably known to Boisrobert, a dramatist who is chiefly remembered for the part he took in founding the Academie francaise. He delivered a discourse before that body immediately after its institution (February 26, 1635), in which he made a violent and apparently scurrilous attack on Homer. This discourse kindled the controversy in France, and even struck a characteristic note. Homer- -already severely handled by Tassoni--was to be the special target for the arrows of the Moderns, who felt that, if they could succeed in discrediting him, their cause would be won. Thus the gauntlet was flung--and it is important to note this-- before the appearance of the Discourse of Method (1637); but the influence of Descartes made itself felt throughout the controversy, and the most prominent moderns were men who had assimilated Cartesian ideas. This seems to be true even of Desmarets de Saint Sorlin, who, a good many years after the discourse of Boisrobert, |
|