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Sisters, the — Volume 1 by Georg Ebers
page 8 of 71 (11%)
extensive and stately pile of masonry which constitutes the Greek temple
of Serapis; by its side are the smaller sanctuaries of Asclepios, of
Anubis and of Astarte, and a row of long, low houses, built of unburnt
bricks, stretches away behind them as a troop of beggar children might
follow in the train of some splendidly attired king.

The more dazzlingly brilliant the smooth, yellow sandstone walls of the
temple appear in the light of the morning sun, the more squalid and mean
do the dingy houses look as they crouch in the outskirts. When the winds
blow round them and the hot sunbeams fall upon them, the dust rises from
them in clouds as from a dry path swept by the gale. Even the rooms
inside are never plastered, and as the bricks are of dried Nile-mud mixed
with chopped straw, of which the sharp little ends stick out from the
wall in every direction, the surface is as disagreeable to touch as it is
unpleasing to look at. When they were first built on the ground between
the temple itself and the wall which encloses the precincts, and which,
on the eastern side, divides the acacia-grove of Serapis in half, they
were concealed from the votaries visiting the temple by the back wall of
a colonnade on the eastern side of the great forecourt; but a portion of
this colonnade has now fallen down, and through the breach, part of these
modest structures are plainly visible with their doors and windows
opening towards the sanctuary--or, to speak more accurately, certain
rudely constructed openings for looking out of or for entering by. Where
there is a door there is no window, and where a gap in the wall serves
for a window, a door is dispensed with; none of the chambers, however, of
this long row of low one-storied buildings communicate with each other.

A narrow and well-trodden path leads through the breach in the wall; the
pebbles are thickly strewn with brown dust, and the footway leads past
quantities of blocks of stone and portions of columns destined for the
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