Miss Fairlie's likeness in Anne Catherick--saw it all the more
clearly because the points of dissimilarity between the two were
presented to me as well as the points of resemblance. In the
general outline of the countenance and general proportion of the
features--in the colour of the hair and in the little nervous
uncertainty about the lips--in the height and size of the figure,
and the carriage of the head and body, the likeness appeared even
more startling than I had ever felt it to be yet. But there the
resemblance ended, and the dissimilarity, in details, began. The
delicate beauty of Miss Fairlie's complexion, the transparent
clearness of her eyes, the smooth purity of her skin, the tender
bloom of colour on her lips, were all missing from the worn weary
face that was now turned towards mine. Although I hated myself
even for thinking such a thing, still, while I looked at the woman
before me, the idea would force itself into my mind that one sad
change, in the future, was all that was wanting to make the
likeness complete, which I now saw to be so imperfect in detail.
If ever sorrow and suffering set their profaning marks on the
youth and beauty of Miss Fairlie's face, then, and then only, Anne
Catherick and she would be the twin-sisters of chance resemblance,
the living reflections of one another.

I shuddered at the thought. There was something horrible in the
blind unreasoning distrust of the future which the mere passage of
it through my mind seemed to imply. It was a welcome interruption
to be roused by feeling Anne Catherick's hand laid on my shoulder.
The touch was as stealthy and as sudden as that other touch which
had petrified me from head to foot on the night when we first met.

"You are looking at me, and you are thinking of something," she