The Woman in White by Wilkie Collins
page 39 of 919 (04%)
page 39 of 919 (04%)
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with an easy, pliant firmness; her waist, perfection in the eyes
of a man, for it occupied its natural place, it filled out its natural circle, it was visibly and delightfully undeformed by stays. She had not heard my entrance into the room; and I allowed myself the luxury of admiring her for a few moments, before I moved one of the chairs near me, as the least embarrassing means of attracting her attention. She turned towards me immediately. The easy elegance of every movement of her limbs and body as soon as she began to advance from the far end of the room, set me in a flutter of expectation to see her face clearly. She left the window--and I said to myself, The lady is dark. She moved forward a few steps--and I said to myself, The lady is young. She approached nearer--and I said to myself (with a sense of surprise which words fail me to express), The lady is ugly! Never was the old conventional maxim, that Nature cannot err, more flatly contradicted--never was the fair promise of a lovely figure more strangely and startlingly belied by the face and head that crowned it. The lady's complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick, coal-black hair, growing unusually low down on her forehead. Her expression--bright, frank, and intelligent--appeared, while she was silent, to be altogether wanting in those feminine attractions of gentleness and pliability, without which the beauty of the handsomest woman alive is beauty incomplete. To see such a face as this set on shoulders that a sculptor would have longed to model--to be charmed by the modest graces of action through which the symmetrical limbs betrayed their beauty when they moved, and then to be almost |
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