The Art of the Story-Teller by Marie L. Shedlock
page 73 of 264 (27%)
page 73 of 264 (27%)
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In the story of "Hereafter-this,"[26] we have just the converse: a
perfectly foolish wife shielded by a most patient and forbearing husband, whose tolerance and common-sense save the situation. One of the most important elements to seek in our choice of stories is that which tends to develop, eventually, a fine sense of humor in a child. I purposely use the word, "eventually," because I realize, first, that humor has various stages, and that seldom, if ever, can one expect an appreciation of fine humor from a normal child, that is, from an elemental mind. It seems as if the rough-and-tumble element were almost a necessary stage through which children must pass, and which is a normal and healthy stage; but up to now we have quite unnecessarily extended the period of elephantine fun, and, though we cannot control the manner in which children are catered to along this line in their homes, we can restrict the folly of appealing too strongly or too long to this elemental faculty in our schools. Of course, the temptation is strong because the appeal is so easy, but there is a tacit recognition that horseplay and practical jokes are no longer considered as an essential part of a child's education. We note this in the changed attitude in the schools, taken by more advanced educators, towards bullying, fagging, hazing, etc. As a reaction, then, from more obvious fun, there should be a certain number of stories which make appeal to a more subtle element, and in the chapter on the questions put to me by teachers on various occasions I speak more in detail as to the educational value of a finer humor in our stories. At some period there ought to be presented in our stories the superstitions connected with the primitive history of the race, dealing with the fairy proper, giants, dwarfs, gnomes, nixies, brownies and |
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