The Art of the Story-Teller by Marie L. Shedlock
page 74 of 264 (28%)
page 74 of 264 (28%)
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other elemental beings. Andrew Lang says: "Without our savage ancestors
we should have had no poetry. Conceive the human race born into the world in its present advanced condition, weighing, analyzing, examining everything. Such a race would have been destitute of poetry and flattened by common-sense. Barbarians did the _dreaming_ of the world." But it is a question of much debate among educators as to what should be the period of the child's life in which these stories are to be presented. I, myself, was formerly of the opinion that they belonged to the very primitive age of the individual, just as they belong to the primitive age of the race, but experience in telling stories has taught me to compromise. Some people maintain that little children, who take things with brutal logic, ought not to be allowed the fairy tale in its more limited form of the supernatural; whereas, if presented to older children, this material can be criticized, catalogued and (alas!) rejected as worthless, or retained with flippant toleration. While realizing a certain value in this point of view, I am bound to admit that if we regulate our stories entirely on this basis, we lose the real value of the fairy tale element. It is the one element which causes little children to _wonder_, simply because no scientific analysis of the story can be presented to them. It is somewhat heartrending to feel that "Jack and the Bean Stalk" and stories of that ilk are to be handed over to the critical youth who will condemn the quick growth of the tree as being contrary to the order of nature, and wonder why _Jack_ was not playing football on the school team instead of climbing trees in search of imaginary adventures. |
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