The Art of the Story-Teller by Marie L. Shedlock
page 77 of 264 (29%)
page 77 of 264 (29%)
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And from this point it seems an easy transition to the subject of
legends of different kinds. Some of the old country legends in connection with flowers are very charming for children, and so long as we do not tread on the sacred ground of the nature students, we may indulge in a moderate use of such stories, of which a few will be found in the List of Stories, given later. With regard to the introduction of legends connected with saints into the school curriculum, my chief plea is the element of the unusual which they contain and an appeal to a sense of mysticism and wonder which is a wise antidote to the prosaic and commercial tendencies of today. Though many of the actions of the saints may be the result of a morbid strain of self-sacrifice, at least none of them was engaged in the sole occupation of becoming rich: their ideals were often lofty and unselfish; their courage high, and their deeds noble. We must be careful, in the choice of our legends, to show up the virile qualities rather than to dwell on the elements of horror in details of martyrdom, or on the too-constantly recurring miracles, lest we should defeat our own ends. For the children might think lightly of the dangers to which the saints were exposed if they found them too often preserved at the last moment from the punishment they were brave enough to undergo. For one or another of these reasons, I should avoid the detailed history of St. Juliana, St. Vincent, St. Quintin, St. Eustace, St. Winifred, St. Theodore, St. James the More, St. Katharine, St. Cuthbert, St. Alphage, St. Peter of Milan, St. Quirine and Juliet, St. Alban and others. The danger of telling stories connected with sudden conversions is that they are apt to place too much emphasis on the process, rather than on the goal to be reached. We should always insist on the splendid deeds performed after a real conversion, not the details of |
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