The Art of the Story-Teller by Marie L. Shedlock
page 78 of 264 (29%)
page 78 of 264 (29%)
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the conversion itself; as, for instance, the beautiful and poetical
work done by St. Christopher when he realized what work he could do most effectively. On the other hand, there are many stories of the saints dealing with actions and motives which would appeal to the imagination and are not only worthy of imitation, but are not wholly outside the life and experience even of the child.[28] Having protested against the elephantine joke and the too-frequent use of exaggerated fun, I now endeavor to restore the balance by suggesting the introduction into the school curriculum of a few purely grotesque stories which serve as an antidote to sentimentality or utilitarianism. But they must be presented as nonsense, so that the children may use them for what they are intended as--pure relaxation. Such a story is that of "The Wolf and the Kids," which I present in my own version at the end of the book. I have had serious objections offered to this story by several educational people, because of the revenge taken by the goat on the wolf, but I am inclined to think that if the story is to be taken as anything but sheer nonsense, it is surely sentimental to extend our sympathy toward a caller who has devoured six of his hostess' children. With regard to the wolf being cut open, there is not the slightest need to accentuate the physical side. Children accept the deed as they accept the cutting off of a giant's head, because they do not associate it with pain, especially if the deed is presented half humorously. The moment in the story where their sympathy is aroused is the swallowing of the kids, because the children do realize the possibility of being disposed of in the mother's absence. (Needless to say, I never point out the moral of the kids' disobedience to the mother in opening the door.) I have always noticed a moment of breathlessness |
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